Recreating the details of the carpenter’s work very carefully, Hodler links the scene to a superior order through the old man’s attitude of prayer. A Glimpse into Eternity– an old man is making a child’s coffin this rigorous composition and the powerful light was the significant development. His portraits of the artisans at work and of the destitute were the starting point for a wider reflection on man’s destiny. His art developed towards a style of realism coupled with idealism and symbolism. In the mid 1880s, Hodler met poets, critics and journalists, the admirers of Wagner, Mallarme and Verlaine, who formed the first Symbolist circle in Geneva, in which Hodler was closely involved. Hodler’s early paintings were marked by harsh, powerful realism which resembled Courbet it disconcerted the critics of Geneva who were divided into two opposing sites- one censured his indulgence of ugliness, other praise the originality of his artwork. Here is Ferdinand Hodler’s Thunersee mit Stockhornkette Ferdinand-hodler-thunersee-mit-stockhornkette He taught him to respect drawing and form and introduced him to French painting. Mann completed Hodler’s visual and cultural education. Moving to Geneva, then the main artistic center in Switzerland, Hodler was noticed by Barthelémy Mann, a student of Ingres, and teacher at the Geneva School of drawing. If you know anything about art, you might know that becoming an artist takes a certain special kind of determination, because unlike other trades, visual artists, in the context of history, are almost certainly doomed to poverty and mental illness – and that’s if they’re successful! The eldest of six children, Hodler was then orphaned at the age of fourteen, but he was also very ambitious and determined to become an artist. Ferdinand_hodler_self_portrait Destinyīorn into a very modest craftsman’s family in Berne, 1853, and losing not only his parents but also his siblings very early (they were killed by tuberculosis), he fought hard in life. At the end of the XIX century, he was the one of the leading Symbolist painters. Ferdinand Hodler, one of the leading figures in modern European paintings, developed outside the mainstream of the so-called avant-garde, and his life and work bridged the gap between the 19th and 20th centuries.
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